A computer program has passed the Turing Test for the first time. What does this actually mean? Well, honestly, not much. This is a chatbot, not an AI. It’s not programmed to be intelligent, it is programmed to mimic written conversation. This one also used the whole gimmick of having the chatbot pretend to be a adolescent Ukrainian boy. The short and medium term results I predict? Over the next couple of years, we’ll get more annoying, harder to immediately detect spambots, (Like the ones on dating and porn sites, or the ones that are used to chat with you through your friends’ hacked Facebook accounts). 5-15 years? We’ll be getting adaptive conversational chatbots in videogames, which will be pretty sweet.
Anyhow, this brings me to the whole theme for my first official installment of Plot Devices: Artificial Intelligences. I’m going to attempt (key word) to explain ways that authors fit Artificial Intelligences into fiction, how it affects their settings, and ways to restrict them narrative-wise. This is a huge category, so we’re going to have to break it down a bit. I’m going to rip a few arbitrary categories out of fiction, here. In ascending order, Synthetic Intelligences, Human-Level AI, Uploads, Supergenius AI, and Weakly Godlike Intelligences. There are plenty that don’t fit precisely into any of these categories, but these five cover most examples of fictional AI.