Marvel

Weekly Pull Review 1/7/15

Anyone have any suggestions for a DC title I should give a try? I’ve got Vertigo stuff, but I don’t have anything main-universe DC.

ODY-C #2- Image

Slightly less action packed than the first issue, Matt Fraction and Christian Ward still hit it out of the park with this one. This issue focuses more heavily on Zeus and Poseidon, and really plays up the spiteful, vicious, petty, and dangerous facet of the Greek gods, which largely gets ignored in modern takes on Greek mythology. While Zeus and Poseidon are plotting Odyssea’s downfall, the captain and her crew have arrived at the planet of the Lotophages (The Lotus Eaters), which is a colossal hedonistic park-like planet, with the world-sized, delirious, drug-addled, near-comatose body of Promethene, creator of the third gender sebex, chained to it. This book is insane in all the right ways. Also, it’s written in dactylic hexameter. Matt Fraction is shouldering his way in among the great comic book writers, and Christian Ward is tossing down the gauntlet to all challengers with his gorgeous visuals. If ODY-C keeps being this awesome, I’m going to start being as excited for issues of it as I am for issues of Saga.

Birthright #4- Image

The newest title from Robert Kirkman’s Skybound studio, it once again proves that the Walking Dead creator is absolutely right in chaining up comic book creators up in the basement and depriving them of food and water until they produce art is the way to go. (Kirkman isn’t actually on the production team for this one). Birthright is great, though. Essentially, it’s a what-if title that riffs off the classic C.S. Lewis/ Susan Cooper story, involving children being taken into magical worlds for grand adventures, but it goes a step farther, to explore what happens when the child gets back. (The story archetype goes much farther back, of course- the fairy changelings of European folklore, the fairy rings, etc.) A young boy, Mikey, is stolen into a fantasy world to become a chosen hero. One year later, his family has collapsed. His parents are divorcing, his dad is suspected of murdering Mikey, his older brother is getting in fights at school, the whole thing has become a media circus. Then an enormous behemoth of a man, covered in armor and carrying dozens of medieval weapons shows up in town. (Surprise, surprise, it’s Mikey). Issue #4 opens with Mikey, his dad, and his brother on the run from the cops, and, well… spoilers. Check this one out.

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Weekly Pull Review 12/24/14

Yes, I know the 24th was a couple days ago. Whatever, it was Ebenezer Scrooge Day. Anyhow…

Hawkeye Vs Deadpool #3- Marvel

If you had told me that one of the enjoyable comics in my pull lately would be one of the bajillion Deadpool miniseries that have been coming, I probably would have… well, maybe not have laughed, but given you a skeptical look. It’s not that most of them are bad, it’s just that they don’t tend to be super interesting. While Deadpool Vs. Hawkeye doesn’t quite measure up to Deadpool at its best, or Hawkeye at all, it does manage to pull in a lot of the charm of both. The characters all click amazingly well, too. Kate Bishop is the real scene-stealer (“Oh god, I blew up New York”), despite Clint Barton and Wade Wilson getting top billing. Watching the bad guys have minor computer problems, like not being able to find a thumb drive on the desktop was the kind of bizarre, mundane, wonderful scene that doesn’t really exist outside this miniseries and its parent series. I’m kinda sad there’s only one more issue left. Also, Deadpool continuing to use Uber (Ooper) to get to and from missions? YES.

Dead Boy Detectives #12- Vertigo

This series just keeps growing and growing on me. The characters feel more fleshed out, the art is really getting into stride… it’s feeling less like just a Sandman Spinoff, and more like its own beast. The philosopher ghost cats work much better as amusing animal sidekicks than the usual addition, which tend to rely on cuteness over actual interesting behavior. The detectives interacting with a medium while she tries to ignore them was confusing, but not in a bad way at all- all of the characters involved in that scene, especially the customer, are absolutely bewildered themselves. It’s a great little setup. Despite the videogame being the cover hook, it doesn’t actually get a lot of screen time, but what we do get looks really good. (more…)

Weekly Pull Review 12/17/14

Hey, look, it’s my 100th post! I actually meant to do that this weekend, for a rather bigger article, but… eh.

Ms Marvel #10- Marvel

Finally. It took forever for this one to come out. Ms Marvel has been consistently good so far, if a little slow at times. They’re really pushing the action forwards, though, with the conclusion of this arc approaching next issue. Lockjaw has really solidified the cast in this comic- he’s a great character, but one that can be very easily misused. (*Cough* Pet Avengers *Cough*). Kamala Khan is rapidly turning into one of my favorite characters in the Marvel universe, and she’s really starting to find her footing and self-confidence, as well as a very sarcastic, cynical sense of humor that just clicks for her character. The art remains awesomely quirky, which makes me really happy. Marvel has really loosened up on their cookie cutter art direction lately, with this book, Hawkeye, and a few others. It’s not to say they even remotely approach Image’s diversity, but they’re moving in that direction.

The Sandman: Overture #4- Vertigo

Yes, it’s THAT Sandman. And no, it’s not a Before Watchmen-style cash-in, it’s actually written by Neil Gaiman. It’s a 6-part miniseries, set before Dream’s imprisonment that began the whole series back in the day. The publishing schedule has been very, very slow, but I’m not complaining very much about the months between each issue, since the art is absolutely top notch, and you can really see how much Gaiman’s writing has matured. Also, you get to see the father of the Endless! How cool is that? Seriously, if you’re a fan of Sandman at all, you need to be reading this.

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Weekly Pull Review 12/10/14

I know, I know, it’s technically the 11th, but I’m going to start dating theses reviews with the date I picked the comics up from here on out. Anyhow, on to this week’s comics I deemed good enough for my pull.

Bitch Planet #1- Image

I somehow utterly failed to realize that a new Kelly Sue DeConnick series was coming out until Tuesday night- but it was definitely a good surprise. Kelly Sue DeConnick is rapidly proving herself to be one of my favorite contemporary comic writers- anything by her is definitely going to receive at least a try. Bitch Planet might not have been something I’d pick up normally, since prison stories, even scifi ones, are hardly my cup of tea, but I gave this one a try, and the first issue already has me hooked. That’s not to say it’s perfect- the twist definitely confused me for a little bit, but that’s very likely to be my fault, so… Also, it’s pretty refreshing to have a comic book where the majority of the cast isn’t white. That’s still pretty damn rare these days. Valentine De Landro’s art is pretty well fitted to the book, and the dot-based backgrounds like you’d see in old comics really fits the aesthetic of the book. (I can’t for the life of me remember what that technique is called.) Also, having the title page be a two page spread four pages in? Actually works really damn well here. Very cinematic.

Copperhead #4- Image

Copperhead is really working well for me so far. It’s not that the story is particularly better than other good scifi police procedurals- and I do consider Copperhead more of a police procedural than a western so far, though it draws strongly from both- it’s that the comic focuses on a smaller, more focused cast than usual. It’s a consistent weakness of the genre, especially in comics- you have a limited amount of space to develop your characters, and introducing a giant cast just makes them all fairly forgettable. The comic Storm Dogs comes to mind- brilliant story, amazing setting, spectacular art, some of the best alien designs I’ve seen in a comic- but ask me to name the characters, or even describe more than a few, and I’d just have to shrug. It’s not that they are bad characters, by any means. I remember liking quite a few of them. Copperhead has avoided that pitfall by focusing on a smaller, more mobile cast, and it works extremely well. That, ultimately, seems to be its biggest takeaway from Westerns, rather than any stylistic element.

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Weekly Comic Pull Review Returns!

I know, I know, it’s been forever since I’ve posted one of these. But hey, I can finally afford my comics again! Yay employment!

 

(Lady) Thor #2

I was genuinely skeptical about this series. I was a reader of Thor: God of Thunder for its entire 25 issue run, and I loved the hell out of it. Some of the best art of any superhero comic, a truly epic aesthetic, time travel, and Gorr the Godslayer, Voldemort’s bigger badder brother. So when they announced that Thor was becoming unworthy and being replaced, I pretty much dismissed it as another gimmick, like any superhero death or depowering. But I’m swiftly changing my mind. The God of Thunder storyline is picking up where it left off, but in a very new way. We still don’t know who Lady Thor is (though I feel that it should be obvious to readers of God of Thunder), but she brings a whole new style to the hammer. She’s less single knockout blow, more hurricane of fists, lightning, and hammerblows. Regardless, Jason Aaron and Co are keeping there momentum going at full throttle from Thor: God of Thunder, with the added bonus of being a great starting point for new readers.

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