This is, to say the least, an astonishingly large amount of comics this week, at least compared to what I have been getting in my pull of late.
Saga #27- Image
Saga, of course, takes top billing. Brian K. Vaughan and Fiona Staples abandon the triptych format of the last few issues for an issue that just buckles down on Marko- and it’s a doozy. Marko spends the issue tripping balls on a bad batch of fadeaway, and Prince Robot and Ghus are trying to figure out a way to pull Marko and Yuma out of their overdosed state. This issue really provides a sense of catharsis for much of the tension that built up over the last arc. The rest of the family getting kidnapped, though providing a slam dunk cliffhanger ending for the last arc, nonetheless really failed to provide emotional closure for Marco, and Saga has been building towards this issue for a while now. Both Marko and the story have a much stronger sense of direction now. Since it’s already one of the single best comics coming out, well… If you’ll excuse me, I’m going to fanboy out for a little bit.
ODY-C #4- Image
Saga and ODY-C in one week? Fuck yes. Odyssia and her crew have to escape from the cyclops’ den, and the comic gets more than appropriately visceral in the most literal sense this outing, leading eventually, to, well… some windy conditions. (Hah. Sorry. I couldn’t help myself.) Matt Fraction and Christian Ward are really getting into the swing of things here. Ward’s art continues to amaze- even my curmudgeonly roommate who hate comics, science fiction, kittens, and fun loves Ward’s art. (He has very, very strict views on the Odyssey, however, so he’s not sold on the story yet, though if I can get him to actually sit down and read it, I have high hopes.) I’d honestly say that ODY-C is one of the chief contenders for best art in my pull- Saga is the only competitor this week, though there’s plenty of other great art on display.
Insert obligatory raving about Saga. Brian K. Vaughan and Fiona Staples are continuing to keep this arc balanced on all three of the main stories so far- Dengo and his captives, Team Lying Cat, and the dads. This arc so far seems to really be one focused on character development, moreso than plot development, which isn’t a bad thing at all. (Especially considering how common the reverse is in the industry.) Dengo especially stands out in terms of growth- not that I particularly expected Saga to have anything less than a fully fleshed out, complex villain. Also, that ending splash page? Hooboy.
Descender #1- Image
Descender starts off with an interstellar (Alliance? Council?) at the height of its power, and on the eve before an attack by unstoppable, moon-sized humanoid robots. It then skips ten years forwards, into a world where over three fourths of the inhabitants are dead or gone, the planet lies in near ruins, and angry mobs have destroyed most of the robots in existence. When a childlike robot companion wakes up on an abandoned mining colony, a hunt for him begins as it is revealed that his model of robot might actually have something in common with the massive destroyers. I’m torn on this one. Dustin Nguyen’s art is fantastic, no question there. Jeff Lemire’s writing is solid in the sections revolving around the protagonist, Tim the robot boy and his robot dog, Bandit. Many of the other scenes, however, have some quite clumsy over-exposition, at least in my mind. There’s a comment I’ve heard bandied around about science fiction, though: That science fiction movies run twenty or thirty years behind science fiction novels in terms of ideas, which, to be fair, is pretty much spot on. I think that the same adage might be applicable to comic books, though perhaps not to the same degree. It’s not a commentary on the quality of the work at all, but it might have something to do with my reaction to the exposition here- it’s stuff that is already old hat in science fiction prose, so it just feels forced.