Bitch Planet

Weekly Pull Review 2/18/15

There were no giant science tubes this week. Not a damned one. Seriously, people, what’s the point of drawing a comic without giant science tubes, especially if a laboratory shows up?

Bitch Planet #3: The Secret Origin of Penny Rolle- Image

Bitch Planet is doing something a bit unusual- every third issue is going to be drawn by a guest artist, in order to help keep the comic rolling on a regular schedule. I personally think it’s a fantastic idea, at least based on the art in this issue. The old school four color toning continues to work incredibly well everywhere it’s used in the comic- it just fits into the comic’s voice. Consistent release schedules are a major problem for many excellent comics out there. This issue jumps back in time to give an origin story for Penny Rolle. It seems a little early in the series for an origin story issue for someone other than the protagonist, but that isn’t necessarily a bad thing- far too often, ensemble cast comics do far too little in the way of establishing personality and history for characters, just leaving you with a broad trope or two. This issue also does a great job with showing us how things really are for average people under the rule of the Fathers. I’m really, really wanting to learn more about Megaton, though. I’ve got to admit it, I’m a sucker for fictional sports, especially sci-fi ones. The afterwards materials/columns are really proving to be a draw, as well- letter columns are nice, but unless it’s the Sex Criminals letter column, having a little extra informative material in the back does nothing but good for the comic. This issue also features the most ominous use of hair care products I’ve seen in quite a while. Also, an awesome magic mirror, using science! Suck it, Snow White. (Seriously didn’t even catch the symbology there the first readthrough, but that’s on me for being thick.)

Multiversity: Mastermen- DC

Grant Morrison takes us to his version of Red Sun this issue- one where Superman’s pod lands in Nazi occupied territory, leading to him ruling over a Nazi Earth as Overman. (In the original Red Sun, Superman’s pod crash-lands in Soviet occupied Ukraine.) Jim Lee handles the art duties on this one. I knew this was going to be one of my favorite Multiversity issues yet when it opened with a splash page of Hitler straining with constipation on the toilet. The story is pretty straightforwards, but that’s not a bad thing. The Sivanas are really building up more than the Gentry in terms of the overarching story- to be fair, though, it’s often a better idea to have the minor villains take more screen time than the Big Bads. Nazi Batman (Leatherwing, how fitting) proves creepy as hell. Establishing Uncle Sam as a superpowered freedom fighter is a pretty awesome move. Much of the driving force behind the plot is Overman’s moral doubts creeping up on him- even raised by Hitler, he proves to still have something of a moral compass. One thing that really bothered me, though- Underwaterman never looked directly at the camera. Ever. No science tubes, though there is a cylindrical hovering specimen jar. It’s just not big enough to be a proper giant science tube.

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Weekly Pull Review 1/28/15

This is an absurdly good week for my comics. I mean, hell yes.

Sex Criminals #10- Image

Sex Criminals is, without a doubt, the single funniest goddamn thing in my pull. Especially the letters column. Oh my god the letters column. Yes. In all seriousness, though- this comic has amazingly developed characters. Jon and Suzie are way more sympathetic than… well, damn near any other comic book characters out there. Almost certainly the best comic book couple. Alana and Marko from Saga have them beat, maaaaayyyybeee? Hard to say. You can definitely feel Fraction’s style in here- comics he writes tend to have some of the highest panel per page counts out there. I mean, it’s not Hawkeye, with that one goddamned 27 panel page, but it’s still pretty crazy, with 10+ panel pages everywhere. That usually just ends up looking like shit, but it works out well here. That probably mostly speaks volumes about Chip Zdarsky (and David Aja on Hawkeye), but I’d still like to see some of Fraction’s scripts. Also, did I mention that this comic is goddamned hilarious? I don’t think I’ll be able to go into a Barnes and Noble without getting the temptation to yell “Vagina Doctor” ever again.

Bitch Planet #2- Image

It’s not even remotely surprising to find two Image titles headlining my pull review. At this point I think it should be obvious that I’m a raving Image fanboy. It should also not be surprising that the two comics headlining my list are by the power couple of comics these days, Kelly Sue Deconnick and Matt Fraction. I usually don’t really throw my weight fully behind a comic until at least issue 3, but this issue has completely locked in this comic for me. The art gives off an awesome pulp vibe that works great for the prison scenes. The scenes in the confession module are fantastic looking- definitely the most eyecatching scenes in the book, though the treadmill scene is pretty close behind it. I wasn’t expecting this book to take the prisoners form a sports team angle, but it could turn out pretty good- especially since we don’t know anything about Megaton yet, other than that it’s really, really violent.

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Weekly Pull Review 12/10/14

I know, I know, it’s technically the 11th, but I’m going to start dating theses reviews with the date I picked the comics up from here on out. Anyhow, on to this week’s comics I deemed good enough for my pull.

Bitch Planet #1- Image

I somehow utterly failed to realize that a new Kelly Sue DeConnick series was coming out until Tuesday night- but it was definitely a good surprise. Kelly Sue DeConnick is rapidly proving herself to be one of my favorite contemporary comic writers- anything by her is definitely going to receive at least a try. Bitch Planet might not have been something I’d pick up normally, since prison stories, even scifi ones, are hardly my cup of tea, but I gave this one a try, and the first issue already has me hooked. That’s not to say it’s perfect- the twist definitely confused me for a little bit, but that’s very likely to be my fault, so… Also, it’s pretty refreshing to have a comic book where the majority of the cast isn’t white. That’s still pretty damn rare these days. Valentine De Landro’s art is pretty well fitted to the book, and the dot-based backgrounds like you’d see in old comics really fits the aesthetic of the book. (I can’t for the life of me remember what that technique is called.) Also, having the title page be a two page spread four pages in? Actually works really damn well here. Very cinematic.

Copperhead #4- Image

Copperhead is really working well for me so far. It’s not that the story is particularly better than other good scifi police procedurals- and I do consider Copperhead more of a police procedural than a western so far, though it draws strongly from both- it’s that the comic focuses on a smaller, more focused cast than usual. It’s a consistent weakness of the genre, especially in comics- you have a limited amount of space to develop your characters, and introducing a giant cast just makes them all fairly forgettable. The comic Storm Dogs comes to mind- brilliant story, amazing setting, spectacular art, some of the best alien designs I’ve seen in a comic- but ask me to name the characters, or even describe more than a few, and I’d just have to shrug. It’s not that they are bad characters, by any means. I remember liking quite a few of them. Copperhead has avoided that pitfall by focusing on a smaller, more mobile cast, and it works extremely well. That, ultimately, seems to be its biggest takeaway from Westerns, rather than any stylistic element.

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